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Annegg, F. (2018). You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene. Ph.D. thesis, Universität Wien, Vienna.
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Anselmi, J. J. (2020). Doomed to fail: the incredibly loud history of doom, sludge, and post-metal. Los Angeles: Rare Bird Books.
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Antonieto, T. (2004). O inventor do peso no heavy metal. Cover Guitarra, 120, 42–50.
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Anttonen, S. (2016). ‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media. Metal Music Studies, 2(1), 39–56.
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Apergis, C. (2019). Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 77–96). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Apter, J. (2021). Bad Boy Boogie: The true story of AC/DC legend Bon Scott. Australia: Allen & Unwin.
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Aquatias, L. consommations d’alcool et de cannabis dans les concerts de rock métal. (2003). Stairway to heaven. Psychotropes, 9(3), 37–55.
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Aquino Ruiz, F. (2015). Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows. In Modern Heavy Metal: Markets, Practices and Cultures (pp. 88–94). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Aquino Ruiz, F. A., Laura. (2021). Relación e interacción entre la música académica contemporánea y el Metal Extremo. Bachelor's thesis, Escuela Universitaria de Artes Totales, Madrid.
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Araste, L. (2010). Communication function in the Estonian metal subculture. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 103–109). Oxford: Inter-Disciplinary Press.
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