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Arnett, J. J. (1996). Metalheads: Heavy Metal Music And Adolescent Alienation. Westview Press.
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Arp, R. (2012). Stop Stereotyping Sabbath: Sex, Subjugation, and Stupidity. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 182–189). West Sussex: John Wiley & Sons.
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Arp, R. (2007). Believer, Deceiver: Metallica, Perception, and Reality. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 163–172). Malden & Oxford: Blackwell.
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Artwood, D. (2010). Iron Maiden: British metal. London: Abstract Sounds Books.
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Åshede, L., & Foka, A. (2019). Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 97–114). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Asturias, M. (2009). Black Sabbath: cuatro décadas entre el cielo y el infierno, 1969-2009. Llinars del Vallès: Quarentena.
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Avelar, I. (2011). Otherwise national: locality and power in the art of Sepultura. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 135–160). Durham: Duke University Press.
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Avelar, I. (2009). Genealogías y Contrastes en el Heavy Metal Brasileño. TodaVÍA, 21, 62–67.
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Avelar, I. (2004). De Milton ao metal: política e música em Minas. Artcultura, 6(9), 26–37.
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Avelar, I. (2003). Heavy Metal Music in Postdictatorial Brazil: Sepultura and the Coding of Nationality in Sound. Journal of Latin American Cultural Studies, 12(3), 329–346.
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