|
|
Castro, Á. L. de O., & Rezende, D. C. de. (2023). Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes. Poetics, 99, 101803.
|
|
|
|
Zárate, A. O. de, & Guarda, M. N. (2017). Enseñanza contextualizada para miembros de la subcultura del heavy metal a través de técnicas teatrales. Revista Latinoamericana en Ciencias Sociales, Niñez y Juventud, 15(2), 1035–1050.
|
|
|
|
Driver, C. (2011). Embodying hardcore: rethinking ‘subcultural’ authenticities. Journal of Youth Studies, 14(8), 975–990.
|
|
|
|
Bryson, B. (1996). ”Anything but heavy metal”: Symbolic exclusion and musical dislikes. American Sociological Review; Washington, 61(5), 884.
|
|
|
|
Freeborn, R. (2010). A Selective Discography of Scandinavian Heavy Metal Music. Notes, 66(4), 840–850.
|
|
|
|
Gracyk, T. (2016). Heavy Metal: Genre? Style? Subculture? Philosophy Compass, 11, 775–785.
|
|
|
|
King, P. (1985). Heavy metal: a new religion. Journal of the Tennessee Medical Association, 78(12), 754–755.
|
|
|
|
Binder, A. (1993). Constructing racial rhetoric: Media depictions of harm in heavy metal and rap music. American Sociological Review; Washington, 58(6), 753–767.
|
|
|
|
Halnon, K. B. (2004). Inside Shock Music Carnival: Spectacle as Contested Terrain. Critical Sociology, 30(3), 743–779.
|
|
|
|
Thompson, R. L., & Larson, R. (1995). Social context and the subjective experience of different types of rock music. Journal of Youth and Adolescence, 24(6), 731–744.
|
|
