|
St-Laurent, M. - R. (2019). “It's kind of in the middle”: The “Mid-Fi” Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene. In J. - O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi (pp. 267–272). Stockholm: Royal College of Music (KMH) & Art of Record Production.
|
|
|
Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
|
|
|
Herbst, J. - P. (2022). “Keeper of the Seven Keys”: Audio heritage in metal music production. Metal Music Studies, 8(1), 109–126.
|
|
|
Nieves Molina, A. (2020). “La Periferia”: Marginal Contexts for Metal Music in the State of México. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 239–264). Lanham: Lexington Books.
|
|
|
Silva, M. A. dos S., & Polivanoz, B. (2015). “Mar de camisas pretas”: camisas de bandas como mediadoras de sentidos e experiências na cena do heavy metal. Logos, 22(2), s. p.
|
|
|
St. Laurent, M. - R. (2021). “Métal noir épique patriotique”: Analysis of historical, sociological and cultural discourses uniting metal noir québécois and Québec society. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
|
|
|
Nenadalová, J., & Menšíková, T. (2022). “Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies. Religio: Revue pro religionistiku, 30(1), 77–80.
|
|
|
Hernández Parra, S. I. (2022). “NO SOMOS CHAPULINES”. LA ESTIGMATIZACIÓN DE LA PRÁCTICA MUSICAL METAL COMO VIOLENTA A FINALES DEL SIGLO XX EN COSTA RICA. Metal de Habla Hispana, 1, 67–73.
|
|
|
Fredriksson, D. (2021). “Not Folk Metal, but...” Online intercultural musicking in “the Grove”. Svensk tidskrift för musikforskning [Swedish Journal of Music Research], 103, 111–126.
|
|
|
Malczynski, B. (2020). “Oczyść swą duszę ze śmierci”. Aksjologiczny wymiar twórczości grupy Creation of Death [“Cleanse your soul of death”. Axiological dimension of creativity in Creation of Death]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 62–74). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
|
|