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Brizard, C. (2011). Le monde du métal symphonique: vers une sociologie de l’oeuvre comme création continuée, l’exemple de Nightwish. Ph.D. thesis, Université de Grenoble, Grenoble.
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Brown, A. R. (2011). No Method in the Madness? The Problem of the Cultural Reading in Robert Walser’s ”Running with the Devil: Power Madness and Gender in Heavy Metal Music” and Recent Metal Studies. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 63–72). Oxford: Inter-Disciplinary Press.
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Brown, A. R. (2011). Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010. Journal for Cultural Research, 15(3), 213–242.
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Calvo, M. B. (2011). ”Nightfall in Middle Earth”: un disco de Blind Guardian inspirado en “El Silmarillion” de J. R. R. Tolkien. DigiLenguas, 3(10).
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Campos, C. (2011). Metal & Hardcore Graphics: extreme artworks from the underworld. Barcelona: Fkg.
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Chaker, S. (2011). Götter des Gemetzels: Mediale Inszenierung von Tod und Gewalt im Death Metal. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 11–24). Oberhausen: Schmenk.
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Chaney, D., Petite, A., & Chaney, L. (Eds.). (2011). État des lieux des musiques extrêmes: les albums essentiels d’un demi-siècle de transgression hard rock, métal, punk, hardcore & co. Rosières-en-Haye: Camion blanc.
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Coulman, L. (2011). See you at the cemetery gates: saints and survivors of the heavy metal scene. London: Plexus.
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Dairianathan, E. (2011). Soundscapes in Vedic metal: a perspective from Singapore. Perfect Beat, 12(2), 167–189.
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Della Cioppa, G. (2011). HM: il grande libro dell’heavy metal. Firenze & Milano: Giunti.
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