toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Frandsen, D. (2011). Two Steps past Insanity: The Expression of Aggression in Death Metal Music. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 35–40). Oxford: Inter-Disciplinary Press.
toggle visibility
Frehley, A., & Layden, J. (2011). No regrets: a rock ’n’ roll memoir. New York, NY: Gallery Books.
toggle visibility
Fricke, C. (2011). Heavy Metal in der DDR-Provinz. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 367–377). Münster: Lit.
toggle visibility
Fridh, S. (2011). Lord Satan’s Secret Rites and Satanism as Self-Therapy: The Creation of a Masculinity Gender Identity within Black Metal. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 177–184). Oxford: Inter-Disciplinary Press.
toggle visibility
Fromm, R. (2011). Genese der Black Metal-Subkultur und des Neosatanismus in der Rockmusik. BPJM-Aktuell, 4, 6–12.
toggle visibility
Gafarov, I. (2011). Qualitative Research in Understanding the Metal Community. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 73–78). Oxford: Inter-Disciplinary Press.
toggle visibility
Gibson, B., & Rosamilia, A. (2011). From The Minds of Madness: The Origins of Heavy Metal Band Names. Createspace Independent Pub.
toggle visibility
Gligorijevic, J. (2011). The Global and the Local in Max Cavalera’s Music Projects. Etnomusikologian vuosikirja, 23.
toggle visibility
Granholm, K. (2011). “Sons of Northern Darkness”: Heathen Influences in Black Metal and Neofolk Music. Numen, 58(4), 514–544.
toggle visibility
Greene, P. D. (2011). Electronic and affective overdrive: tropes of transgression in Nepal’s heavy metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 109–134). Durham: Duke University Press.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print