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Jacobson, S. (2011). Heavy metal as the resurgence of classical music: a study on the influence of classical music and performance on the heavy metal culture. Ph.D. thesis, Universität für angewandte Kunst, Vienna.
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Jaeckel-Dobschat, A. (2011). J.B.O.: Biographie des Blödsinns. Oberhausen: Schmenk.
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Johannesson, I., & Klingberg, J. J. (2011). Blod, eld, död: en svensk metalhistoria. Stockholm: Alfabeta.
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Jousmäki, H. (2011). Epistemic, interpersonal, and moral stances in the construction of us and them in Christian metal lyrics. Journal of Multicultural Discourses, 6(1), 53–66.
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Kahn-Harris, K. (2011). Metal Studies: Intellectual Fragmentation or Organic Intellectualism? Journal for Cultural Research, 15(3), 251–253.
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Kahn-Harris, K. (2011). ”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 200–227). Durham: Duke University Press.
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Kawano, K., & Hosokawa, S. (2011). Thunder in the Far East: the heavy metal industry in 1990s japan. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 247–270). Durham: Duke University Press.
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Kay, A. (2011). Suicide, Metal Music and Expectancy Theory. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 133–142). Oxford: Inter-Disciplinary Press.
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Kernchen, D. (2011). Virtuosität als Überlebensstrategie und Publikumsmagnet. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 183–194). Münster: Lit.
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Klypchak, B. (2011). ‘How you gonna see me now’: Recontextualizing metal artists and moral panics. Popular Music History, 6(1-2).
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