|
|
Netherton, J. (2014). Extremity Retained: Notes From the Death Metal Underground. London: Handschake.
|
|
|
|
Noys, B. (2014). ”Remain True to the Earth!”: Remarks on the Politics of Black Metal. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 105–128). s. l.: s. i.
|
|
|
|
Overell, R. (2014). Affective intensities in extreme music scenes: cases from Australia and Japan. Basingstoke: Palgrave Macmillan.
|
|
|
|
Pala, N. (2014). Estetica e immaginario Metal nell’arte contemporanea. Ph.D. thesis, Universit? cattolica del sacro Cuore, Milano.
|
|
|
|
Paytress, M. (2014). Rock : Alles über Rock, Pop, Punk, Metal und mehr. Bath: Parragon.
|
|
|
|
Petiteau, F. - E., & Fournier, J. - P. (2014). Metal & fantasy. Rosières en Haye: Camion Blanc.
|
|
|
|
Phillipov, M. (2014). Hamburgers of Devastation: The pleasures and politics of heavy metal cooking. International Journal of Community Music, 7(2), 259–272.
|
|
|
|
Pneuma, E. (2014). White metal: du bruit pour l’homme en croix. Rosières-en-Haye: Camion blanc.
|
|
|
|
Podoshen, J. S., Venkatesh, V., & Jin, Z. (2014). Theoretical reflections on dystopian consumer culture: Black metal. Marketing Theory, 14(2), 207–227.
|
|
|
|
Popoff, M. (2014). Black Sabbath: doom let loose – an illustrated history. Toronto: ECW Press.
|
|
