|
|
Coggins, O. (2014). Nationalist Black Metal, Black Metal Nation. In G. Ray, J. Sarkar, & A. Bhattacharya (Eds.), Writing Difference: Literature, Identity and Nationalism (pp. 460–481). London: Atlantic.
|
|
|
|
Simão, P. (2014). Heavy Metal as a new tourism trend? A theoretical analysis on the Tourism-Heavy Metal Relationship. In Tms Algarve 2014 – Management Studies International Conference (n.p.). Algarve: University of ALgarve.
|
|
|
|
Brown, A. R., & Griffin, C. (2014). ’A cockroach preserved in amber’: the significance of class in critics’ representations of heavy metal music and its fans. The Sociological Review; Keele, 62(4).
|
|
|
|
Calvo, M. (2014). Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte. In M. C. Dalmagro, & A. Parfeniuk (Eds.), Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística (pp. 120–137). Córdoba: Buena Vista Editores.
|
|
|
|
Weinstein, D. (2014). Birmingham’s postindustrial metal. In B. Lashua, K. Spracklen, & S. Wagg (Eds.), Sounds and the City: Popular Music, Place and Globalization (pp. 38–54). Houndmills: Palgrave Macmillan UK.
|
|
|
|
Spracklen, K. (2014). True Norwegian Black Metal — The Globalized, Mythological Reconstruction of the Second Wave of Black Metal in 1990s Oslo. In B. Lashua, K. Spracklen, & S. Wagg (Eds.), Sounds and the City: Popular Music, Place and Globalization (pp. 183–195). Leisure Studies in a Global Era. Palgrave Macmillan UK.
|
|
|
|
Mayer, A., & Timberlake, J. M. (2014). ”The Fist in the Face of God”: Heavy Metal Music and Decentralized Cultural Diffusion. Sociological Perspectives; Thousand Oaks, 57(1).
|
|
|
|
Weinstein, D. (2014). Just so stories: how heavy metal got its name—A cautionary tale. Rock Music Studies, 1(1), 36–51.
|
|
|
|
Spracklen, K., Lucas, C., & Deeks, M. (2014). The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England. Popular Music and Society, 37(1), 48–64.
|
|
|
|
Ribaldini, P. (2014). A Conceptual Connection Between Classic Heavy Metal and World War I: The Case of Iron Maiden’s ’Paschendale’ and Motörhead’s ’1916’. New Sound: International Journal of Music; Belgrade, 44(2), 96–108,219.
|
|
