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Brown, A. R., & Griffin, C. (2014). ’A cockroach preserved in amber’: the significance of class in critics’ representations of heavy metal music and its fans. The Sociological Review; Keele, 62(4).
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Zaddach, W. - G. (2014). »30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal. Lied und Populäre Kultur; Münster, 59, 227–241,293.
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Mayer, A., & Timberlake, J. M. (2014). ”The Fist in the Face of God”: Heavy Metal Music and Decentralized Cultural Diffusion. Sociological Perspectives; Thousand Oaks, 57(1).
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Ribaldini, P. (2014). A Conceptual Connection Between Classic Heavy Metal and World War I: The Case of Iron Maiden’s ’Paschendale’ and Motörhead’s ’1916’. New Sound: International Journal of Music; Belgrade, 44(2), 96–108,219.
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Griffin, H. (2014). Hair Metal Redux: Gendering Nostalgia and Revising History on VH1. Journal of Popular Film & Television; Washington, 42(2).
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Spracklen, K., Lucas, C., & Deeks, M. (2014). The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England. Popular Music and Society, 37(1), 48–64.
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Martínez Navajas, J. (2014). La influencia de la narrativa Fantástica de H. G. Wells en el Rock’n’Roll. Didáctica: Lengua y Literatura, 26, 285–304.
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Scott, N. (2014). Seasons in the Abyss: Heavy Metal as Liturgy. Diskus. The Journal of the British Association for the Study of Religions, 16(1), 12–29.
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Coggins, O. (2014). Citation and Recitation in Mystical Scholarship and Om’s Drone Metal. Diskus, Journal of the British Association for the Study of Religion, 16(1), 30–47.
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Podoshen, J. S., Venkatesh, V., & Jin, Z. (2014). Theoretical reflections on dystopian consumer culture: Black metal. Marketing Theory, 14(2), 207–227.
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