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Absentology. (2017). Summoning the black flame. Trepaneringsritualen's music and absolute emptiness. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 148–159). St. Louis: Void Front Press.
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Alarcón Ruiz, J. C. (2017). CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017. Bachelor's thesis, Federico Villarreal National University, Lima, República del Perú. Retrieved April 27, 2024, from http://repositorio.unfv.edu.pe/bitstream/handle/UNFV/3804/UNFV_Alarc%C3%B3n%20Ruiz_Juan%20Carlos_T%C3%ADtulo%20Profesional_Antropolog%C3%ADa_2019.pdf?sequence=1&isAllowed=y
Abstract: This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture.
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Allué Montilla, I. (2017). Mujeres, rock & heavy metal: ?quién dijo sexo débil? Lleida: Editorial Milenio.
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Angeler, D. (2017). Heavy Metal Music Meets Complexity and Sustainability Science. SpringerPlus, 5, 1–20.
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Bardine, B. A. (2017). From Sabbath to Slayer: using metal in the writing classroom. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Barnett, B. A. (2017). Black Sabbath’s pioneering lyrical rhetoric: Tragic structure and cathartic potential in song narratives. Metal Music Studies, 3(1), 81–96.
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Bayer, G. (2017). Metal documentaries: the national, the global, and the cosmopolitan. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Blake, C. (2017). Dronoclasm or the swarming of angels in endless night. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 10–14). St. Louis: Void Front Press.
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Botero Camacho, M., & Picón del Campo, N. (2017). A Twist in the Song: Retracing Myth and Dante´s Poem in Heavy Metal Music. Revista ICONO14, 15(1), 166–185.
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Canepa, F. (2017). Inoxydable : la bible du métal. Paris: Tana Ed.
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