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Geeraert, L. (2017). Les fans de musique metal en Belgique francophone. Des pratiquessociales, de l'initiation à l'intégration au sein d'une scène interactionnelle. Master's thesis, Université catholique de Louvain, Louvain.
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Goldhammer, R. (2017). After the apocalypse: Identity and legitimacy in the postdigital heavy metal subculture. Metal Music Studies, 3(1), 135–144.
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Grant, S. (2017). Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts. Metal Music Studies, 3(2), 175–200.
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Hainaut, B. (2017). Le style Black Metal. Château Gontier: Aedam Musicae Editions.
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Harris, J. (2017). Pleromaticatalyst. Ritual intoxication toward the universal field. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 106–121). St. Louis: Void Front Press.
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Haukkala, H. (2017). Ripe for revolution? The role of loud popular music in revolutionary social and political processes. Metal Music Studies, 3(3), 387–403.
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Heinen, S. (2017). ”Odin rules”: Religion, Medien und Musik im Pagan Metal. Bielefeld: Transcript.
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Helden, I. von. (2017). Norwegian native art: cultural identity in Norwegian metal music. Münster: Lit.
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Heley, J., & Welsh, M. (2017). Regions rock : heavy metal and the role of music in the construction of regional identity for the British Midlands. In J. Riding, & M. Jones (Eds.), Reanimating regions: culture, politics and performance (pp. 26–45). New York & London: Routledge.
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Hendricks, C. C. (2017). Bang your head to the ‘beat’ of non-conformity. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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