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Herbst, J. - P. (2017). Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3(1), 23–46.
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Herbst, J. - P. (2017). Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3(2), 231–250.
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Herrera Díaz, F. A. (2017). Metal colombiano: los sonidos de un país en guerra. Bachelor's thesis, Pontificia Universidad Javeriana, Bogotá.
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Hissen. (2017). Score for a spatial composition. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 86–104). St. Louis: Void Front Press.
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Hoad, C. (2017). Slashing through the boundaries: Heavy metal fandom, fan fiction and girl cultures. Metal Music Studies, 3(1), 5–22.
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Hoad, C., & Whiting, S. (2017). True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal. M/C Journal, 20(6), n..p.
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Hughes, M. (2017). Is affiliation with alternative subcultures associated with self-harm? Doctoral thesis, University of Liverpool (United Kingdom), Ann Arbor.
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Iwanitzky, N. (2017). The reception of J.R.R. Tolkien’s works in song lyrics. Hamburg: DrKovač.
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Iwanitzky, N. (2017). The reception of J.R.R. Tolkien’s works in song lyrics. Ph.D. thesis, Universität Kassel, Kassel.
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James, K., & Tolliday, C. (2017). Metallica: Structural Change in the Music Industry: A Marxist Critique of Public Statements made by Members of Metallica during the Lawsuit against Napster. International Journal of Critical Accounting, 1(1/2), 144–176.
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