Calaça, G. E., Nascimento, L. A., & Diniz, A. M. (2018). Na trilha do metal: a construção de terriotorialidades das bandas de heavy metal em Belo Horizonte nos anos 1980 / On metal tracts: the construction of terriotorialities of heavy metal bands in Belo Horizonte during the 1980s. Caderno de Geografia, 28(54), 650–673.
|
Vanek, G. (2018). Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust. Metal Music Studies, 4(3), 573–583.
|
DeHart, C. (2018). Metal by numbers: Revisiting the uneven distribution of heavy metal music. Metal Music Studies, 4(3), 559–571.
|
Savigny, H., & Schaap, J. (2018). Putting the ‘studies’ back into metal music studies. Metal Music Studies, 4(3), 549–557.
|
Lee, D. W. (2018). ‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal. Metal Music Studies, 4(3), 531–548.
|
Nagy, T. (2018). Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community. Metal Music Studies, 4(3), 507–530.
|
Herbst, J. - P., Reuter, C., & Czedik-Eysenberg, I. (2018). Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives. Metal Music Studies, 4(3), 481–506.
|
Jones, S. (2018). Kerrang! magazine and the representation of heavy metal masculinities (1981–95). Metal Music Studies, 4(3), 459–480.
|
Hannan, C. (2018). Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan. Metal Music Studies, 4(3), 433–458.
|
Kirner-Ludwig, M., & Wohlfarth, F. (2018). METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal. Metal Music Studies, 4(3), 403–432.
|