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Podoshen, J. S. (2018). Constructing black metal mythology for global monopoly: #ittakescourage. Metal Music Studies, 4(2), 375–380.
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DiGioia, A., & Helfrich, L. (2018). ‘I’m sorry, but it’s true, you’re bringin’ on the heartache’: The antiquated methodology of Deena Weinstein. Metal Music Studies, 4(2), 365–374.
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Brown, A. R. (2018). A manifesto for metal studies: Or putting the ‘politics of metal’ in its place. Metal Music Studies, 4(2), 343–363.
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Hay, A. (2018). Phew – What a blizzard! Black metal and the UK popular press. Metal Music Studies, 4(2), 329–341.
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Coggins, O. (2018). Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal. Metal Music Studies, 4(2), 309–328.
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Abstract: Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France.
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