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Udarchik, A. (2018). ‘If you got a tape on, you’re committed’: The revival of cassette tapes in Toronto’s New Wave of Traditional Heavy Metal scene. Metal Music Studies, 4(1), 41–59.
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DiGioia, A., & Naylor Davis, C. (2018). Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal. In S. Holland, & K. Spracklen (Eds.), Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization (pp. 27–42). Emerald Studies in Alternativity and Marginalization. Emerald Publishing Limited.
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Mackenzie, J. A. (2018). Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal. Metal Music Studies, 4(1), 25–40.
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Calvo, M. B. (2018). Las escenas de la música metal: discusión teórica a partir del caso de la provincia de Buenos Aires. Question, 1(60), 22.
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Hillier, B. (2018). The aesthetic-sonic shift of melodic death metal. Metal Music Studies, 4(1), 5–23.
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Karjalainen, T. - M. (2018). Tales from the North and Beyond: Sounds of Origin as Narrative Discourses. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 1–40). Cambridge: Cambridge Scholars Publishing.
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Andrew Klein. (2018). Blood, Frets and Tears.
Abstract: “Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) /
Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story);
Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video).
Keywords: Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X
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Heesch, F. (2018). Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy). Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines, 11. Retrieved May 13, 2024, from http://dx.doi.org/https://doi.org/10.4000/criminocorpus.5726
Abstract: Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence.
- Résumé:
Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style.
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Hazle, D. (2018). Delusions of grandeur? Aria and the development of Soviet metal music. Ph.D. thesis, University of Nottingham, Nottingham.
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McParland, R. (2018). Myth and Magic in Heavy Metal Music. Jefferson: McFarland.
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