|
Podoshen, J. S. (2018). Constructing black metal mythology for global monopoly: #ittakescourage. Metal Music Studies, 4(2), 375–380.
|
|
|
Feria del Libro Heavy. (2018). Cultura metálica 5: ponencias, debates y exposiciones de la 5a Feria del Libro Heavy de Buenos Aires. Buenos Aires: Clara Beter Ediciones.
|
|
|
DiGioia, A., & Naylor Davis, C. (2018). Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal. In S. Holland, & K. Spracklen (Eds.), Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization (pp. 27–42). Emerald Studies in Alternativity and Marginalization. Emerald Publishing Limited.
|
|
|
Hoffin, K. (2018). Decay as a black metal symbol. Metal Music Studies, 4(1), 81–94.
|
|
|
Hazle, D. (2018). Delusions of grandeur? Aria and the development of Soviet metal music. Ph.D. thesis, University of Nottingham, Nottingham.
|
|
|
Hannan, C. (2018). Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan. Metal Music Studies, 4(3), 433–458.
|
|
|
Round, J., & Savigny, H. (2018). Editorial: Metal and politics special issue. Metal Music Studies, 4(2), 257–264.
|
|
|
López Ramírez, J. I., & Risica Carella, G. (2018). Espíritu del Metal: La Conformación de la Escena Metalera Peruana (1981-1992). Lima: Sonidos Latentes & Discos Invisibles.
|
|
|
Coggins, O. (2018). Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal. Metal Music Studies, 4(2), 309–328.
|
|
|
Pelletier, S. (2018). Extreme metal : subculture, genre, and structure. Ph.D. thesis, Université de Montréal, Montréal.
|
|