toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Podoshen, J. S. (2018). Constructing black metal mythology for global monopoly: #ittakescourage. Metal Music Studies, 4(2), 375–380.
toggle visibility
Feria del Libro Heavy. (2018). Cultura metálica 5: ponencias, debates y exposiciones de la 5a Feria del Libro Heavy de Buenos Aires. Buenos Aires: Clara Beter Ediciones.
toggle visibility
DiGioia, A., & Naylor Davis, C. (2018). Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal. In S. Holland, & K. Spracklen (Eds.), Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization (pp. 27–42). Emerald Studies in Alternativity and Marginalization. Emerald Publishing Limited.
toggle visibility
Hoffin, K. (2018). Decay as a black metal symbol. Metal Music Studies, 4(1), 81–94.
toggle visibility
Hazle, D. (2018). Delusions of grandeur? Aria and the development of Soviet metal music. Ph.D. thesis, University of Nottingham, Nottingham.
toggle visibility
Hannan, C. (2018). Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan. Metal Music Studies, 4(3), 433–458.
toggle visibility
Round, J., & Savigny, H. (2018). Editorial: Metal and politics special issue. Metal Music Studies, 4(2), 257–264.
toggle visibility
López Ramírez, J. I., & Risica Carella, G. (2018). Espíritu del Metal: La Conformación de la Escena Metalera Peruana (1981-1992). Lima: Sonidos Latentes & Discos Invisibles.
toggle visibility
Coggins, O. (2018). Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal. Metal Music Studies, 4(2), 309–328.
toggle visibility
Pelletier, S. (2018). Extreme metal : subculture, genre, and structure. Ph.D. thesis, Université de Montréal, Montréal.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print