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DiGioia, A., & Naylor Davis, C. (2018). Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal. In S. Holland, & K. Spracklen (Eds.), Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization (pp. 27–42). Emerald Studies in Alternativity and Marginalization. Emerald Publishing Limited.
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Hazle, D. (2018). Delusions of grandeur? Aria and the development of Soviet metal music. Ph.D. thesis, University of Nottingham, Nottingham.
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McParland, R. (2018). Myth and Magic in Heavy Metal Music. Jefferson: McFarland.
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Thompson, C. (2018). Norges Våpen Cultural Memory and Uses of History in Norwegian Black Metal. Ph.D. thesis, Uppsala universitet, Uppsala.
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Karjalainen, T. - M. (Ed.). (2018). Sounds of origin in heavy metal music. Cambridge: Cambridge Scholars Publishing.
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López Ramírez, J. I., & Risica Carella, G. (2018). Espíritu del Metal: La Conformación de la Escena Metalera Peruana (1981-1992). Lima: Sonidos Latentes & Discos Invisibles.
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Soria, F. (2018). Fuerte y claro: historia del metal en Uruguay. Montevideo: Ediciones B.
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Coggins, O. (2018). Mysticism, ritual, and religion in drone metal. London & New York: Bloomsbury Academic.
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Zaddach, W. - G. (2018). Heavy Metal in der DDR: Szene, Akteure, Praktiken. Bielefeld: Transcript.
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Annegg, F. (2018). You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene. Ph.D. thesis, Universität Wien, Vienna.
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