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Zenerian, E. (2019). Vinyl records, metal fandom and fan labour: Productions and exchanges at the intersection of the cultural and financial economies. Metal Music Studies, 5(1), 89–106.
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Yépez Aguirre, J. R. (2019). La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014. Pluriversidad, (3), 21.
Abstract: This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out.
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Yang, Z. (2019). Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society. Master's thesis, University of Cincinnati, Ann Arbor.
Abstract: Since the first album that Black Sabbath released in 1970, the 50-year-long history of heavy metal music makes it has developed into a diversified but controversial subculture all over the world. Even though several big names, such as Metallica, Iron Maiden or Judas Priest, have gained commercial success and mainstream exposure, most of the heavy metal bands, fans and communities are still far from a stable status. The market scale is threatened by poor social acceptance and incorrect stereotypes and is too limited to develop an operational model for heavy metal music communities as mature as mainstream music production in this current state. The goal of this thesis is to: 1) explore the core value of heavy metal subculture and design an organizational strategy to strengthen the connection between various roles within the community. The research was divided into three parts. The first part is the quantitative research on the development of heavy metal music in different regions, shows the regional trends of heavy metal subculture. The second part is the qualitative evaluation of heavy metal albums’ covers and lyrics, and documentary films about heavy metal music. The third part is the interviews with record shop owners. The first part Borrowing the CIS (Corporation Identity System) from the business field, the data collected during the second stage could be categorized into visual identities, communication identities, and behavior identities. The data collected from interviews are organized into a system map to show the current organizational strategy. The conclusion, this thesis proposes a new type of organizational strategy that supports the local heavy metal subculture community, in order to help stabilize the market and strengthen connections of community members through participation in it. Furthermore, inspired by the proposed strategy, more universal strategies and guidelines for other types of subculture are discussed.
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Yalcinkaya, C., & Ahmed, S. (2019). Creeping Sharia: An Extreme Response to Islamophobia. In C. Hoad (Ed.), Australian Metal Music (pp. 111–128). London: Emerald.
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Wróblewski, M. (2019). Diabelska poza Glenna Danziga. Perspektywa jungowska. In J. Osiński, M. Pranke, & P. Tański (Eds.), Kultura rocka 1. Twórcy, tematy, motywy (pp. 245–255). Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika.
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Wicke, P. (2019). Rammstein. 100 Seiten. Ditzingen: Reclam.
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Whitting, S., Klimentou, P., & Rogers, I. (2019). ‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive. In C. Hoad (Ed.), Australian Metal Music (pp. 55–70). London: Emerald.
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Weinstein, D. (2019). ”This is Spinal Tap” mocks metal and more, a lot more. In G. Bayer (Ed.), Heavy metal at the movies. London & New York: Routledge, Taylor & Francis Group.
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Vestergaard, V. (2019). Medieval Media Transformations and Metal Album Covers. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 21–34). London: Emerald.
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Vallen, S. (2019). ’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage. In C. Hoad (Ed.), Australian Metal Music (pp. 37–54). London: Emerald.
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