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Fletcher, K. F. B. (2019). Vergil’s Aeneid and Nationalism in Italian Metal. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 23–52). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
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Vestergaard, V. (2019). Medieval Media Transformations and Metal Album Covers. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 21–34). London: Emerald.
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Steinken, W. (2019). Norwegian black metal, transgression and sonic abjection. Metal Music Studies, 5(1), 21–33.
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Yépez Aguirre, J. R. (2019). La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014. Pluriversidad, (3), 21.
Abstract: This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out.
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Oldham, P. ’N. ’. (2019). Heavy Metal Kids: A Historiographical Exploration of Australian Proto-Heavy Metal in the 1960s–1970s. In C. Hoad (Ed.), Australian Metal Music (pp. 19–36). London: Emerald.
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Pirenne, C. (2019). Né sous une (très) mauvaise étoile : Une étude de cas dans la réception de la New Wave of British Heavy Metal. Volume! La revue des musiques populaires, 15:2(1), 15–23.
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Hellrich, J., Rzymski, C., & Vestergaard, V. (2019). The Trans-Medial Fight for Glory. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 13–20). London: Emerald.
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Guibert, G. (2019). Le heavy metal comme cas limite. Volume! La revue des musiques populaires, 15:2(1), 7–12.
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Bolay, J. (2019). ‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost. Metal Music Studies, 5(1), 5–20.
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Susino, M., & Schubert, E. (2019). Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics. Empirical Musicology Review, 14(1/2), 2–15.
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