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Rekedal, J. (2019). Martyrdom and Mapuche Metal: Defying Cultural and Territorial Reductions in Twenty-First-Century Wallmapu. Ethnomusicology, 63(1).
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Okunew, N. (2019). Red Metal – Heavy Metal als eine Subkultur der DDR. Rundfunk und Geschichte, 45(3-4), 66–67.
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González, S. M. (2019). El Quijote a ritmo de rock and roll: El heavy metal español como recurso didáctico en las clases de literatura de E.S.O. Campo Abierto. Revista de Educación, 38(1), 107–124.
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Coggins, O. (2019). Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures. Popular Music; Cambridge, 38(1).
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Kieran, J., & Walsh, R. (2019). Religion and heavy metal music in Indonesia. Popular Music; Cambridge, 38(2), 276–297.
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Thomas, N., & King, A. (2019). Production perspectives of heavy metal record producers. Popular Music; Cambridge, 38(3), 498–517.
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Lucas, O. R. (2019). ‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist. Popular Music; Cambridge, 38(3), 481–497.
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Bujalka, E. (2019). KVLTER than thou: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’. Popular Music; Cambridge, 38(3), 518–537.
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Ollivier, R., Goupil, L., Liuni, M., & Aucouturier, J. - J. (2019). Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? Music Perception; Berkeley, 37(2).
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Hosman, S. S. (2019). Gender inequality in metal music production (book review). Gender & Society, 33(4), 652–654.
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