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Minore, G. (2020). Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 28–45). Chicago: University of Chicago Press.
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Miranda Bonilla, S. (2020). La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización. Estudios sobre las culturas contemporáneas, 26(52), 69–92.
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Mudrian, A. (Ed.). (2020). The Decibel Hall of Fame Anthology: Volume III. dB Books.
Abstract: Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums.
In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover.
Keywords: Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath.
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Mustamo, A. (2020). The Crisis of the Welfare State and the Politics of the Past in Black Metal and Folk Metal Subcultures. Young, 28(1), 69–84.
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Nevárez Araujo, D. (2020). Metal Migration: The Latin American Diasporic Experience in Heavy Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 305–332). Lanham: Lexington Books.
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Nieves Molina, A. (2020). “La Periferia”: Marginal Contexts for Metal Music in the State of México. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 239–264). Lanham: Lexington Books.
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Nowakowski, A. E. (2020). “Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture. Półrocznik Językoznawczy Tertium, 5(2), 62–82.
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Olsem Kirk N., Powell, M., Anic, A., Vallerand, R. J., & Thompson, W. F. (2020). Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience. Musicae Scientiae, OnlineFirst.
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Ortiz Cora, L. E. (2020). La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock. Estudios sobre las culturas contemporáneas, 26(52), 93–109.
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Pack, C. M. (2020). “Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 39–60). Lanham: Lexington Books.
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