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Pascual Auqué, P. (2020). Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio. Tropleías, 7, 625–640.
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Patterson, D. (2020). Black Metal: Into The Abyss. Wittlich: Index Verlag.
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Pichler, P. (2020). Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970 A Historiographic Exploration. Stuttgart: Franz Steiner Verlag.
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Pieper, H. (2020). The SS in heavy metal lyrics. Metal Music Studies, 6(3), 359–374.
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Piotrowska, A. G. (2020). The phenomenon of Slavic metal. The case of Poland. In B. Milanović, M. Milin, & D. Lajić Mihajlović (Eds.), Музика у постсоцијализму: три деценије касније [Music in Postsocialism: Three Decades in Retrospect] (pp. 309–335). Belgrade: Institute of Musicology SASA.
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Pisano, J. I. (2020). Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 58–71). Chicago: University of Chicago Press.
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Polakowski, F. (2020). Narracyjność w muzyce metalowe [Metal music narrative]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 47–61). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Purves, R. (2020). Subject of the drone. Metal Music Studies, 6(2), 145–159.
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Rivera-Segarra, E., Ramos, J. W., & Varas-Díaz, N. (2020). “A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 287–304). Lanham: Lexington Books.
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Rodkiewicz, M. (2020). Hand of Doom. Pozabluesowe źródła metalowego paradygmatu [Hand of Doom. Non-blues sources of the metal paradigm]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 134–145). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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