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Pascual Auqué, P. (2020). Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio. Tropleías, 7, 625–640.
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Trafford, S. (2020). Viking metal. In S. C. Meyer, & K. Yri (Eds.), The Oxford handbook of music and medievalism (pp. 563–585). Oxford: Oxford University Press.
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Hagen, R. (2020). A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal. In S. C. Meyer, & K. Yri (Eds.), The Oxford Handbook of Music and Medievalism (pp. 546–563). Oxford: Oxford University Press.
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Carlos, C. V. (2020). “Ramble on”: medievalism as a nostalgic practice in Led Zeppelin’s use of J. R. R. Tolkien. In S. C. Meyer, & K. Yri (Eds.), The Oxford handbook of music and medievalism (pp. 529–546). Oxford: Oxford University Press.
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Wallach, J. (2020). Global Rock as Postcolonial Soundtrack. In A. Moore, & P. Carr (Eds.), The Bloomsbury Handbook of Rock Music Research (pp. 469–485). New York: Bloomsbury.
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Kahn-Harris, K. (2020). Engaging with absence: Why is the Holocaust a ”problem” for metal? Metal Music Studies, 6(3), 395–414.
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Langebach, M., & Schulze, C. (2020). Affirmation and denial: Extreme right black metal and the Holocaust. Metal Music Studies, 6(3), 375–393.
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Mudrian, A. (Ed.). (2020). The Decibel Hall of Fame Anthology: Volume III. dB Books.
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Pieper, H. (2020). The SS in heavy metal lyrics. Metal Music Studies, 6(3), 359–374.
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Kopanski, R. (2020). ”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony. Metal Music Studies, 6(3), 337–357.
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