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Kahraman, V. (2020). A comparative analysis of metal subgenres in terms of lexical richness and keyness. Ph.D. thesis, LMU München: Faculty for Languages and Literatures, München.
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Shadrack, J. H. (2020). Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss. Bingley: Emerald.
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Bohn, D., & Bernardi, C. de. (2020). Celebrating 30 years louder than hell: exploring commercial and social “Host Event Zone” developments of the heavy metal festival Wacken Open Air. Annals of Leisure Research, (accepted).
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Thomson, A. (2020). Brutal Theory: Luciferian Brutalism and cultural critique in extreme metal music. Master's thesis, University of Alberta, Alberta.
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Kauppila, O. S. (2020). “Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal. Master's thesis, University of Helsinki, Helsinki.
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Beya, S. (2020). Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music. Master's thesis, Umeå University, Umeå.
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Mc Alister, C. (2020). Heavy Metal Historiography: Historical Subject Matter in the Music of Iron Maiden. Master's thesis, The Pennsylvania State University, University Park.
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Soltani, A., & Zappia, N. A. (2020). Rez Metal: Inside the Navajo Nation Heavy Metal Scene. Lincoln: University of Nebraska Press.
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