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López Ramírez Gastón, J. I. (2020). Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 107–130). Lanham: Lexington Books.
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Burns, L. (2020). Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music. American Music Perspectives, 1(2), 98–118.
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Trudzik, A. M. (2020). Czy “Rock’n’Roll” to paradoksalnie pismo hardrockowe/heavymetalowe? [Is “Rock'n'Roll” paradoxically a hard rock / heavy metal magazine?]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 95–117). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Glitsos, L. (2020). “Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community. Popular Music and Society, 43(1), 93–113.
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Ortiz Cora, L. E. (2020). La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock. Estudios sobre las culturas contemporáneas, 26(52), 93–109.
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Herbst, J. - P. (2020). From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal. Metal Music Studies, 6(1), 87–108.
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Chambal, A. (2020). Matérialisme et quête d’authenticité, ambivalence identitaire des passionnés de la scène metal underground ? In C. Charbonnier, Ë. Salvat, & J. Goebel (Eds.), French metal studied: Approches différenciées des acteurs et des publics (pp. 85–116). Corentin Charbonnier.
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Scaricaciottoli, E. (2020). Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 84–99). Chicago: University of Chicago Press.
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Lagos Chacón, P. M. (2020). The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 81–106). Lanham: Lexington Books.
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Stec, L. (2020). La mort de l’artiste – zamaskowana nieobecność artysty [La mort de l'artiste – the artist's masked absence]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 75–94). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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