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Hofmann, A. (2020). Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres. Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak, 15(1), 73–91.
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Alasia, E. (2020). The Reason Behind My Writing: Another Day of Being. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 72–83). Chicago: University of Chicago Press.
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Spracklen, K. (2020). From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism. Metal Music Studies, 6(1), 71–86.
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Mustamo, A. (2020). The Crisis of the Welfare State and the Politics of the Past in Black Metal and Folk Metal Subcultures. Young, 28(1), 69–84.
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Miranda Bonilla, S. (2020). La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización. Estudios sobre las culturas contemporáneas, 26(52), 69–92.
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Malczynski, B. (2020). “Oczyść swą duszę ze śmierci”. Aksjologiczny wymiar twórczości grupy Creation of Death [“Cleanse your soul of death”. Axiological dimension of creativity in Creation of Death]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 62–74). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Nowakowski, A. E. (2020). “Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture. Półrocznik Językoznawczy Tertium, 5(2), 62–82.
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Sánchez Mondaca, M. (2020). Dictatorship and Metal in Chile: A Causal Relationship? In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 61–80). Lanham: Lexington Books.
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López Ramírez Gastón, J. I. (2020). El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano. Antec: Revista Peruana de Investigación Musical, 4(1). Retrieved May 11, 2024, from http://revistas.unm.edu.pe/index.php/Antec/article/view/77
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Pisano, J. I. (2020). Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 58–71). Chicago: University of Chicago Press.
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