toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Purves, R. (2020). Subject of the drone. Metal Music Studies, 6(2), 145–159.
toggle visibility
Stevens, F. (2020). Blackened audiotopia: Privatized listening and urban experience. Metal Music Studies, 6(2), 161–174.
toggle visibility
Messick, K. J., Aranda, B., & Day, C. (2020). The experiences of metal fans with mental and developmental disorders in the metal music community. Metal Music Studies, 6(2), 193–214.
toggle visibility
Kinnunen, M., Honkanen, A., & Karjalainen, T. - M. (2020). The characteristics of a Finnish metal fan: Comparative study on music festival attendees. Metal Music Studies, 6(2), 215–236.
toggle visibility
DiGioia, A. (2020). Nameless, but not blameless: Motherhood in Finnish heavy metal music. Metal Music Studies, 6(2), 237–255.
toggle visibility
Stratton, J. (2020). KISS: Jewishness, hard rock and the Holocaust. Metal Music Studies, 6(3), 277–297.
toggle visibility
Jackson, I. (2020). From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal. Metal Music Studies, 6(3), 299–318.
toggle visibility
Williams, D. (2020). Embodying the Auschwitz ”Sonderkommando” in extreme metal. Metal Music Studies, 6(3), 319–336.
toggle visibility
Kopanski, R. (2020). ”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony. Metal Music Studies, 6(3), 337–357.
toggle visibility
Pieper, H. (2020). The SS in heavy metal lyrics. Metal Music Studies, 6(3), 359–374.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print