|
Jakić, I., & Beroš, M. (2021). Nenormalnost ili o potrazi za identitetnim osnovama heavy metala [Abnormality or the search for heavy metal's fundamental identity]. Studia Polensia, 10(1), 73–86.
|
|
|
Jordan, J. B. (2021). Harmonic Structures of 21st Century Heavy Metal. Master's thesis, University of Huddersfield, Huddersfield.
|
|
|
Kahn, L. (2021). Yiddish Metal as a Manifestation of Postvernacularity. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 9–26). London: Emerald.
|
|
|
Karjalainen, T. - M. (2021). Heavy Metal in Estonia: Cohesions and Divisions, Past and Present. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
|
|
|
Karjalainen, T. - M. (2021). And so, Finland Became a Heavy Metal Nation. In T. - M. Karjalainen, & K. Kärki (Eds.), Made in Finland: studies in popular music. Routledge.
|
|
|
Karjalainen, T. - M. (2021). Afterword – From a Campfire to the Global Stage: A Conversation with Tuomas Holopainen of Nightwish. In T. - M. Karjalainen, & K. Kärki (Eds.), Made in Finland: studies in popular music. Routledge.
|
|
|
Kennedy, L. (2021). “This Is the City of Hate”: Surveying the Hull Metal/Hardcore Scene. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
|
|
|
Kennedy, L. (2021). Is kawaii Metal? Exploring aidoru/metal Fusion Through the Lyrics of Babymetal. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 201–219). London: Emerald.
|
|
|
Kennedy, L. F. (2021). Intersections of genre, heritage and place un the New Wave of American Heavy Metal. In L. Maloney, & J. Schofield (Eds.), Music and Heritage: New Perspectives on Place-making and Sonic Identity (pp. 126–135). Abingdon & New York: Routledge.
|
|
|
Khalil, L. M. G. (2021). O Death Metal e a desnaturalização do demoníaco sob a perspectiva do ethos discursivo. In R. Barchi (Ed.), Diálogos com a música extrema (pp. 96–120). Porto Alegre: editorafi.org.
|
|