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Kinnunen, M., & Honkanen, A. (2021). Femininity in metal fanship: “I do not need to take anyone along”. Metal Music Studies, 7(2), 211–235.
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Kolesnik, A. S. (2021). Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s]. Художественная культура, 4, 362–381.
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Korczyński, T. M. (2021). The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects. Journal of Modern Science, 46(1), 73–91.
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Kosek, J. (2021). Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers. Annales Universitatis Paedagogicae Cracoviensis, 13(2), 35–46.
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Lind, T. T. (2021). Til Opalsøens Dyb ”To the Depths of Opal Lake”: On Bereavement, Locality, and Intimacy in Danish Black Metal Lyrics by Orm. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 133–150). London: Emerald.
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Lind, T. ' T. (2021). Heart of Sadness: Fieldwork in the Copenhagen Black Metal Undergrounds. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
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Lozano, J. I., & Martínez Reina, M. (2021). El consumo problemático de drogas en la lírica del heavy metal argentino. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 78–89). Buenos Aires: Clara Beter Ediciones.
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Lucas, O. R. (2021). Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show. Music Theory Online, 27(4), s.p.
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Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
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Lucas, O. R. (2021). Light Shows as Public, Vernacular Music Theory. In J. D. Jenkins (Ed.), The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory (s.p.). Oxford: Oxford University Press.
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