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Anesiadis, A., & Scarpelos, Y. (2023). Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands. Port Townsend: Feral House.
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Banchs, E. (2023). Ancient, Evil, and African: Heavy Metal and Conflict in East Africa. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 283–302). London: Lexington Books.
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Banchs, E., Bardine, B. A., Chilewska, A., Cintrón-Gutiérrez, L. J., Hagen, R., Madera, S. R., et al. (2023). On Extremity: From Music to Images, Words, and Experiences (N. Varas-Díaz, B. Bardine, & & N. W. R. Scott, Eds.). Extreme Sounds Studies: Global Socio-Cultural Explorations. Lexington Books.
Abstract: “On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.”
(source: Amazon.com)
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Banchs, E., & Tshomarelo “Vulture” Mosaka. (2023). In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 227–232). London: Lexington Books.
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Batista, M. R. (2023). United Forces: An Archive of Brazil's Raw Metal Attack, 1986-1991. Bazillion Points.
Abstract: “This massive 528pp document of the 1980s Brazilian metal uprising includes over 1,000 images, photos, and flyers in ten narrative chapters...United Forces presents the story in vivid color, along with Batista's own headbanger tale―from humble origins collecting scrap metal to buy Motörhead albums to DIY operator funneling his country's metal passion to receptive listeners in Europe and North America. The changes in Brazil during the 1980s and early 1990s serve as background for a full-bore metal revolution, as Batista's story brings to life the crucial South-of-the-equator 1980s scene that inspired all the forthcoming underground extremes to come.” (source: Amazon.com)
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Burns, L. (2023). Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995). In W. Moylan, L. Burns, & M. Alleyne (Eds.), Analyzing Recorded Music: Collected Perspectives (323–338). Routledge.
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Calvo, M. B. (2023). Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 163–186). London: Lexington Books.
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Carey, J. (2023). Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy. Metal Music Studies, 9(1), 101–118.
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Castro, Á. L. de O., & Rezende, D. C. de. (2023). Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes. Poetics, 99, 101803.
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Davis, A. B., & Sangster, M. (2023). “Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal. European Romantic Review, 34(3), 291–302.
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