| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Herbst, Jan-Peter |
Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music |
2017 |
Metal Music Studies |
3 |
23-46 |
|
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
|
|
|
Herbst, Jan |
Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk. 2 Albums |
2024 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
t.b.c. |
|
