| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Kahn-Harris, Keith |
Landfill Metal: The Ironies Of Mediocrity |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
434-444 |
|
|
|
Kahn-Harris, Keith |
Engaging with absence: Why is the Holocaust a ”problem” for metal? |
2020 |
Metal Music Studies |
6 |
395-414 |
|
|
|
Kahn-Harris, Keith |
A Reply to Scott and O’Boyle |
2016 |
Global metal music and culture: current directions in metal studies |
|
343-350 |
|
|
|
Kahn-Harris, Keith |
Metal Studies: Intellectual Fragmentation or Organic Intellectualism? |
2011 |
Journal for Cultural Research |
15 |
251-253 |
|
|
|
Spracklen, Karl; Brown, Andy R.; Kahn-Harris, Keith |
Metal Studies? Cultural Research in the Heavy Metal Scene |
2011 |
Journal for Cultural Research |
15 |
209-212 |
|
|
|
Kahn-Harris, Keith |
”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
200-227 |
|
|
|
Kahn-Harris, Keith |
Do Metal Scenes Need Retirement Homes? Care and the Limitations of Metal Community |
2016 |
Heavy Metal Music and the Communal Experience |
|
171-184 |
|
|
|
Kahn-Harris, Keith |
Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene] |
2009 |
Replika |
65 |
165-175 |
|
|
|
Kahn-Harris, Keith |
“Roots”? the relationship between the global and the local within the Extreme Metal scene |
2006 |
The popular music studies reader |
|
128-134 |
|
|
|
Kahn-Harris, Keith |
“I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene |
2002 |
Music, Popular Culture, Identities |
19 |
119-136 |
|
