Author  |
Title |
Year |
Publication |
Volume |
Pages |
| St-Laurent, Méi-Ra |
‘Ancien folklore québécois’: An analysis of the phonographic and identity-based narrative of the métal noir québécois community |
2019 |
Metal Music Studies |
5 |
379-399 |
| St-Laurent, Méi-Ra |
“It's kind of in the middle”: The “Mid-Fi” Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene |
2019 |
Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi |
|
267-272 |
| St-Laurent, Méi-Ra |
La construction de la puissance et de l’oppression dans “Puritania” de Dimmu Borgir |
2016 |
Chant pensé, chant vécu, temps chanté : Formes, usages et représentations des pratiques vocales |
|
87-104 |
| St-Laurent, Méi-Ra |
Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh |
2016 |
Metal Music Studies |
2 |
87-108 |
| St-Laurent, Méi-Ra |
Quand Le Metal Flirte Avec Abba: Analyse Des Transformations Formelles Et Thématiques De « Summer Night City” |
2013 |
Intersections: Canadian Journal of Music |
34 |
135-151,232 |
| St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
| Venkatesh, Vivek; Nelson, Bradley J.; Thomas, Tieja; Wallin, Jason J.; Podoshen, Jeffrey S.; Thompson, Christopher; Jezer-Morton, Kathryn; Rabah, Jihan; Urbaniak, Kathryn; St-Laurent, Méi-Ra |
Exploring the Language and Spectacle of Online Hate Speech in the Black Metal Scene: Developing Theoretical and Methodological Intersections between the Social Sciences and the Humanities |
2016 |
Heavy Metal Music and the Communal Experience |
|
127-150 |
