| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Varas-Díaz, Nelson; Scott, Niall (eds) |
Heavy Metal Music and the Communal Experience |
2016 |
|
|
|
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Rivera-Segarra, Eliut (eds) |
Heavy metal music in Latin America: perspectives from the distorted south |
2020 |
|
|
|
| Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel (eds) |
Heavy Metal Music In Argentina: in black we are seen |
2020 |
|
|
|
| Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason |
On Extremity: From Music to Images, Words, and Experiences |
2023 |
|
|
290 |
| Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
| Varas-Díaz, Nelson |
Decolonial Metal Music in Latin America |
2021 |
|
|
|
| Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Andrés |
La cultura de la música heavy metal como fenómeno social |
2015 |
Boletín Asociación de Psicología de Puerto Rico |
38 |
4-6 |
| Varas-Díaz, Nelson |
Can Progressive Metal’s Narrative Inform Social Stigma Theory? Pain of Salvation’s ”The Perfect Element” Parts 1 and 2 as Examples |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
41-50 |
| Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Eliot; González, Osvaldo |
Metal as a vehicle for critical culture in Latin America and the Caribbean: challenging traditional female gender roles through music |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
