Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Blake, Charlie |
Dronoclasm or the swarming of angels in endless night |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
10-14 |
| Bleile, MaryLena; Luedeker, Bianca; Patterson, Charles B. |
A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West |
2022 |
Metal Music Studies |
8 |
327-350 |
| Bona, Michelle |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
2021 |
|
|
|
| Boughali, Khalil |
Thoughts on Black Metal |
2022 |
|
|
|
| Boughali, Khalil |
Réflexions sur le black metal |
2021 |
|
|
|
| Brown, Andy R. |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
2021 |
Metal Music Studies |
7 |
257-276 |
| Brown, Andy R. (ed) |
Who Do We Think They Are? Deep Purple and Metal Studies |
2024 |
|
|
|
| Burkhardt, Guga |
Arte extrema para olhos atentos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
187-202 |
| Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
| Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
