|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Dinali, Wescely |
(ENTRE) Educações: crust punk, arte de viver e e e... |
2021 |
Diálogos com a música extrema |
|
264-284 |
|
|
Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
|
|
Riekki, Matti |
North From Here: The Sentenced Story (English edition) |
2021 |
|
|
262 |
|
|
Riekki, Matti |
Täältä Pohjoiseen: Sentencedin Tarina |
2014 |
|
|
262 |
|
|
Arenillas Meléndez, Sara |
Negociaciones de la masculinidad en el heavy español de los ochenta |
2021 |
Feminismo/s |
38 |
261-279 |
|
|
Yusof, Azmyl; Johan, Adil |
“Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
259-280 |
|
|
Brown, Andy R. |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
2021 |
Metal Music Studies |
7 |
257-276 |
|
|
Pascuchelli, María Natalia; Vidal Vargas, Pablo |
Los estudios metálicos (metal studies) en Latinoamérica y Argentina: un posible estado del arte |
2021 |
El oído pensante |
9 |
252-278 |
|
|
Szpajdel, Christophe |
Archaic Modernism: The Art of Christophe Szpajdel |
2020 |
|
|
252 |
|
|
Iuama, Tadeu Rodrigues |
O que acontece no palco é pretexto: Ecologia da Comunicação e capilaridades comunicacionais visitam o submundo musical |
2021 |
|
|
247-263 |
|