| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
|
|
|
Archer-Capuzzo, Sonia |
Mining For Metal: Heavy Metal and the Music Library |
2021 |
Music Library Association |
78 |
7-26 |
|
|
|
Hannan, CalderCalder |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
2022 |
Music Theory Online |
28 |
s.p. |
|
|
|
Lucas, Olivia R. |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
2021 |
Music Theory Online |
27 |
s.p. |
|
|
|
Córdoba, Jesús |
Metaleras feministas (Feminist Metalheads) |
2021 |
Metal to the Bone |
|
1-4 |
|
|
|
Kloeppel, Mark |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
|
|
|
136 |
|
|
|
Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
2023 |
Poetics |
99 |
101803 |
|
|
|
Eckerström, Pasqualina |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
2022 |
Contemporary Islam |
|
|
|
|
|
Bona, Michelle |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
2021 |
|
|
|
|
|
|
Núñez, María de la Luz |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
2023 |
UCOARTE. Revista De Teoría E Historia Del Arte |
12 |
236–260 |
|
