| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Thomson, Andrew; Thomson, Amanda M.E. |
Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band |
2022 |
Metal Music Studies |
8 |
381-400 |
|
|
|
Thomas, Samuel |
The Devil's Party. Metal and Literature |
2022 |
The Routledge Companion to Music and Modern Literature |
|
406-415 |
|
|
|
Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
|
|
|
Thibodeau, Anthony J.; Bond, Sage |
“A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021 |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
91-112 |
|
|
|
Temkin, Daniel |
Intricate Machines for String Quartet |
2016 |
|
|
|
|
|
|
Tardelli Filho, Fábio Alexandre |
“Do it ourselves, together, as working class”: thrash metal e luta de classes |
2021 |
Diálogos com a música extrema |
|
67-95 |
|
|
|
Tarazona Elvino, Luis Manuel |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo |
2009 |
|
|
150 |
|
|
|
Tapia, Reynaldo; Mendoza, Boris (eds) |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
2022 |
|
|
|
|
|
|
Tapia, Reynaldo; Mendoza, Boris |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
2022 |
Metal Music Studies |
8 |
143-161 |
|
|
|
Tapia, Reynaldo |
El Metal Underground como Cultura, Identidad y Resistencia |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
9-30 |
|
