| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Fredriksson, Daniel |
“Not Folk Metal, but...” Online intercultural musicking in “the Grove” |
2021 |
Svensk tidskrift för musikforskning [Swedish Journal of Music Research] |
103 |
111-126 |
| Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
2023 |
Poetics |
99 |
101803 |
| Forshaw, Juliet |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
2011 |
Current Musicology |
91 |
139-160 |
| Miller, Jason |
What Makes Heavy Metal “Heavy”? |
2021 |
The Journal of Aesthetics and Art Criticism |
80 |
70-82 |
| Yépez Aguirre, Jimmy Renzo |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
2017 |
Anales Científicos |
78 |
80-91 |
| Castillo Bernal, Stephen |
Imágenes, ficción y consumo cultural. El impacto de la pantalla chica en la globalidad del heavy metal. |
2016 |
Dimensión Antropológica |
66 |
117-148 |
| Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
| Hudson, Stephen S. |
Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music |
2022 |
Music Theory Spectrum |
44 |
s.p. |
| Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
| Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
