| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Piper, Jonathan |
Locating Experiential Richness in Doom Metal |
2013 |
|
|
|
|
|
|
Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
|
|
|
McFerran, Katrina |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
2014 |
International Journal of Community Music |
7 |
205-222 |
|
|
|
Silva, Melina Aparecida dos Santos; Sá, Simone Pereira de |
Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano |
2014 |
Comunicação Mídia E Consumo |
11 |
65-81 |
|
|
|
Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Andrés |
La cultura de la música heavy metal como fenómeno social |
2015 |
Boletín Asociación de Psicología de Puerto Rico |
38 |
4-6 |
|
|
|
Kneer, Julia; Rieger, Diana |
“The Memory Remains”: How Heavy Metal Fans Buffer Against the Fear of Death |
2015 |
Psychology of Popular Media Culture |
5 |
1-15 |
|
|
|
Hudcová, Lucie |
Metal – hudba, kultura, identita [Metal – music, culture, identity] |
2015 |
|
|
|
|
|
|
Silva, Melina Aparecida dos Santos; Polivanoz, Beatriz |
“Mar de camisas pretas”: camisas de bandas como mediadoras de sentidos e experiências na cena do heavy metal |
2015 |
Logos |
22 |
s. p. |
|
|
|
Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
2015 |
Cultura pop |
|
131-150 |
|
|
|
Tzu-Han Cheng; Chen-Gia Tsai |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
2016 |
Frontiers in Psychology |
7 |
art. 182 |
|
