|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Mailén Padilla, Ludmila |
Crear es resistir resistir es crear. |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
34-35 |
|
|
Limber, Franco |
Raza y metal en la nación aymara |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
243-250 |
|
|
Le Vine, Mark |
“We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
115-136 |
|
|
Landes, Nathan |
“That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons |
|
|
|
|
|
|
Kruk, Jessica; Robertson, Wesley C. |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
2023 |
Perfect Beat |
22 |
s. p. |
|
|
Kropff Causa, Laura |
La construcción nacionalista de lo indígena en el diálogo entre heavy metal y folclore. |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
36-37 |
|
|
Kotila, Sanna |
Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics |
2012 |
|
|
|
|
|
Kloeppel, Mark |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
|
|
|
136 |
|
|
Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
|
|
Khalil, Lucas Martins Gama (UNIR) |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
2017 |
Miguilim: Revista Eletrônica do Netlli. |
6 |
198-218 |
|