| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Zuleta Rodríguez, Julio Estuardo |
GUERRA Y METAL. UN ANÁLISIS HISTÓRICO DE LA CENSURA Y LA VIOLENCIA EN CONTRA DEL METAL EN EL DEPARTAMENTO DE QUICHÉ, GUATEMALA |
2022 |
Metal de Habla Hispana |
1 |
56-59 |
|
|
|
Yusof, Azmyl; Johan, Adil |
“Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
259-280 |
|
|
|
Yrivarren Valverde, Sara Dessiree |
Construcción de los discursos de feminidad en la escena metalera limeña: Caso de la banda Strogena |
2022 |
|
|
|
|
|
|
Yépez, Jimmy |
Vivir adentro y en contra. Metaleros de las ciudades de Lima (2016) y Huánuco (2010) Perú. |
2022 |
PLURIVERSIDAD |
10 |
73-100 |
|
|
|
Wallach, Jeremy |
REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist |
2023 |
Sounding Out the State of Indonesian Music |
|
162-179 |
|
|
|
Venegas Marín, María Paula |
Análisis del impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. |
|
DSpace |
|
|
|
|
|
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
|
|
|
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
327-350 |
|
|
|
Varas-Díaz, Nelson; Kobi Farhi |
The Alternative Side of the Frame: A Dialogue on Southern Inspirations |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
219-226 |
|
|
|
van Doesburg, Eline |
The Rejection and Redemption of Technology in Black Metal |
2023 |
|
|
|
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