| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Yusof, Azmyl; Johan, Adil |
“Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
259-280 |
|
|
|
Szpajdel, Christophe |
Archaic Modernism: The Art of Christophe Szpajdel |
2020 |
|
|
252 |
|
|
|
Limber, Franco |
Raza y metal en la nación aymara |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
243-250 |
|
|
|
Núñez, María de la Luz |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
2023 |
UCOARTE. Revista De Teoría E Historia Del Arte |
12 |
236–260 |
|
|
|
Fellezs, Kevin |
The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
235-158 |
|
|
|
Banchs, Edward; Tshomarelo “Vulture” Mosaka |
|
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
227-232 |
|
|
|
Varas-Díaz, Nelson; Kobi Farhi |
The Alternative Side of the Frame: A Dialogue on Southern Inspirations |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
219-226 |
|
|
|
Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
|
|
|
Nevárez Araújo, Daniel; Manuel Gagneux |
Misusing Things in Metal Music: A Dialogue |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
201-218 |
|
|
|
Gutiérrez, Julio César |
Imágenes Reflejo del Ajayu del Under Boliviano |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
201-242 |
|
