| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Tapia, Reynaldo |
El Metal Underground como Cultura, Identidad y Resistencia |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
9-30 |
|
|
|
Galicia Poblet, Fernando |
PANDEMIC. CUANDO LA DISTOPÍA SE TRASLADA A LA REALIDAD |
2022 |
Metal de Habla Hispana |
1 |
9-22 |
|
|
|
Hudson, Stephen S. |
Song form and storytelling in mainstream metal |
2023 |
Metal Music Studies |
9 |
7-26 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
|
|
|
Venegas Marín, María Paula |
Análisis del impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. |
|
DSpace |
|
|
|
|
|
Ortiz Cuchivague, Karen |
Paroxis Histérica un podcast feminista antirracista y decolonial. |
2022 |
|
1 |
|
|
|
|
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
|
|
|
Eckerström, Pasqualina |
The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
|
|
|
|
Mora-Rioja, Arturo |
Poetry in English and Metal Music. Adaptation and Appropriation Across Media |
2023 |
|
|
|
|
|
|
van Doesburg, Eline |
The Rejection and Redemption of Technology in Black Metal |
2023 |
|
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