| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
| Davis, Amanda Blake; Sangster, Matthew |
“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal |
2023 |
European Romantic Review |
34 |
291-302 |
| Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
| Nink, Theresa; Heesch, Florian |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
2023 |
Arts |
12 |
38 |
| Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
| Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
2020 |
Logos |
27 |
s. p. |
| Silva, Melina Aparecida dos Santos; Polivanoz, Beatriz |
“Mar de camisas pretas”: camisas de bandas como mediadoras de sentidos e experiências na cena do heavy metal |
2015 |
Logos |
22 |
s. p. |
| Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
| Batista, Marcelo R. |
United Forces: An Archive of Brazil's Raw Metal Attack, 1986-1991 |
2023 |
|
|
528 |
| Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
