|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Garrett, Ryan D. |
Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995 |
2023 |
|
|
|
|
|
Khalil, Lucas Martins Gama (UNIR) |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
2017 |
Miguilim: Revista Eletrônica do Netlli. |
6 |
198-218 |
|
|
Dukayev, Ali |
Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices |
2023 |
|
|
|
|
|
Setničar, Robert |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
2020 |
|
|
|
|
|
Yrivarren Valverde, Sara Dessiree |
Construcción de los discursos de feminidad en la escena metalera limeña: Caso de la banda Strogena |
2022 |
|
|
|
|
|
Herrera Díaz, Francisco Augusto |
Metal colombiano: los sonidos de un país en guerra |
2017 |
|
|
|
|
|
Soares Espindola, Mariana |
Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers |
2023 |
|
|
|
|
|
Dawes, Laina |
“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
2022 |
|
|
|
|
|
Arenillas Meléndez, Sara |
Negociaciones de la masculinidad en el heavy español de los ochenta |
2021 |
Feminismo/s |
38 |
261-279 |
|
|
Hoad, Catherine |
Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” |
2023 |
Rock Music Studies |
t.b.c. |
|
|