| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Yusof, Azmyl; Johan, Adil |
“Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
259-280 |
|
|
|
Banchs, Edward |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
283-302 |
|
|
|
Eckerström, Pasqualina |
The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
|
|
|
|
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
327-350 |
|
|
|
Rahadianto Sutopo, Oki; Aryo Lukisworo, Agustinus |
Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
351-368 |
|
|
|
Hamma, Amine; Trott, Brian |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
369-386 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
|
|
|
Wallach, Jeremy |
REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist |
2023 |
Sounding Out the State of Indonesian Music |
|
162-179 |
|
|
|
Putu Tangkas Adi Hiranmayena |
“FIX YOUR FACE”: Performing Attitudes between Mathcore and Beleganjur |
2023 |
Sounding Out the State of Indonesian Music |
|
306-319 |
|
|
|
Mora-Rioja, Arturo |
Poetry in English and Metal Music. Adaptation and Appropriation Across Media |
2023 |
|
|
|
|
