Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
| Kahn-Harris, Keith |
”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
200-227 |
| Kahn-Harris, Keith |
Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene] |
2009 |
Replika |
65 |
165-175 |
| Kahn-Harris, Keith |
End of the World Music: Is Extreme Metal the Sound of the Apocalypse |
2009 |
The end all around us: apocalyptic texts and popular culture |
|
22-42 |
| Kahn-Harris, Keith |
Extreme metal: music and culture on the edge |
2007 |
|
|
|
| Kahn-Harris, Keith |
“Roots”? the relationship between the global and the local within the Extreme Metal scene |
2006 |
The popular music studies reader |
|
128-134 |
| Kahn-Harris, Keith |
Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’ |
2004 |
After subculture: critical studies in contemporary youth culture |
|
107-118 |
| Kahn-Harris, Keith |
Transgression and mundanity: the global extreme metal music scene |
2001 |
|
|
|
| Kahn-Harris, Keith |
Ein Verwaistes Land? Israel und die Extreme Metal-Szene |
2001 |
Testcard |
6 |
|
| Kahn-Harris, Keith |
‘Roots’? the relationship between the global and the local within the Extreme Metal scene |
2000 |
Popular Music |
19 |
13-30 |
