Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Kahn-Harris, Keith |
An Orphaned Land? Israel and the Global Extreme Metal Scene |
1999 |
New voices in Jewish thought. Vol. 2 Vol. 2 |
|
1-21 |
| Khalil, Lucas Martins Gama |
Metal extremo enquanto prática discursiva: modos de difusão, vocação enunciativa e ritos genéticos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
221-244 |
| Kirner-Ludwig, Monika; Wohlfarth, Florian |
METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal |
2018 |
Metal Music Studies |
4 |
403-432 |
| Kitteringham, Sarah |
Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore |
2014 |
|
|
|
| Kloeppel, Mark |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
|
|
|
136 |
| LeVine, Mark |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
2022 |
|
|
|
| Lidauer, Rainer |
Extreme Metal |
2011 |
|
|
|
| Lucas, Olivia R. |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
2016 |
|
|
|
| Mackenzie, James Alexander |
Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal |
2018 |
Metal Music Studies |
4 |
25-40 |
| Manea, Irina Maria |
Primal Roots: Ancestry and Race in Extreme Music Discourses |
2015 |
Proceedings of IAC-SSaH 2015: International Academic Conference on Social Sciences and Humanities in Prague 2015 |
|
185-193 |
